Dr. Nell C. Brown, Hair Physician

In 1902, 30-year-old Nell Young Clauson Brown reinvented herself as “Dr. Nell C. Brown: Hair Physician.”

Advertisement from the Salt Lake Theatre program, 1903. From USHS.

Her husband, Leigh, died a couple years previous, leaving her a widow with 2 children. Leigh had been in ill health for years, and for a time, the family lived in San Francisco and then Idaho Falls before returning to SLC where Leigh died.

Nell was not a destitute or desperate widow. She was a granddaughter of Brigham Young and a daughter of well-connected Hiram B. Clawson (through his 4th wife, Emily Augusta Young). She had affluent family she could entrust the care of her children while she completed coursework in San Francisco.

Perhaps it was while the family lived in San Francisco that Nell met Dr. Edith E. McClean, or perhaps Nell responded to one of the many advertisements recruiting women to take a 3-month course in “alopecia and dermatology using the Dr. W.S. Gottheil method.”

Edith was a character herself. Also reinventing herself after a divorce, she built up a hair restoration business in San Francisco and rebranded herself as Dr. E. E. McClean offering specialized hair and scalp services and a bottled Medicated Hair Tonic of her own concoction.

Dr. Edith E. Corey McClean, of San Francisco.

Nell studied under Dr. Edith and returned to Salt Lake in May 1902 and began her own business to “scientifically treat the hair and scalp” with special attention given to baldness, promising the majority of such cases were curable under the proper treatment.

She also offered manicuring and shampooing. Like Dr. Edith, Nell rebranded herself as Dr. Nell C. Brown. Her offices were in the ornate Templeton Building at 1 S Main St (now Zions Bank Building).

Various clippings advertising Dr. Nell C. Brown

The Templeton Building where Dr. Nell C. Brown had her offices.

In Jan 1904, Nell married John Aski Silver, of the famous Silver Brothers Iron and Foundry Works, and her hair career ended.

However, two of her associates began their own business: Miss Charlotte Lynberg and Miss Carrie Leaker relocated to the Constitution Building.

Nell was widowed again in 1916 and married Morris D. Rosenbaum in 1918. When Nell died in 1937 she had amassed an enormous extended and blended family.

An Antique Electro-Static Machine

An example of an Electro Static Machine. Insert in lower right corner is the Karrick Building.

An antique electro-static machine was found on the 2nd floor of the Karrick Block at 236 S Main SLC during its renovation in 2000.

The device was made by the Frank S. Betz Co., a well-known supplier of a variety of medical supplies and equipment.  These electro-static devices were in use from about the 1880s through the 1930s.

The Electro Static Machine found in the Karrick Building

When this particular machine was found by MHTN Architects, they contacted The Museum of Questionable Medical Devices (www.museumofquackery.com) in Minneapolis and David G. Rickert identified the machine as a Holtz, of which there were many varieties and were popular between 1890-1910.

Within the wood cabinet were large circular copper plates that would revolve and create static electricity.  According to historic advertisements and instructions, this electricity could be used to cure a multitude of ailments.

An example of an advertisement for a Holtz type machine.

Excerpt from medial book indicating how to use the machine

Prior to 1905, when Lewis Karrick died, the main occupant of the Karrick building was Roberts and Nelden Drugs, a large wholesale and retail pharmacy.  

Lewis Karrick operated a gambling and billiards hall on the second floor and a brothel with 8 rooms on the third.  A description from the late 1970s notes that the names of several women still remained on the doors (I did not find any further information about these names).

In 1908 the building was acquired by Mary Judge (of the Judge Building) and the ground floor leased to longtime occupant Leyson-Pearsall Jewelers.

It is unclear who owned this abandoned electro-static machine. The upper floors of the Karrick Block were leased to many people, including some doctors and dentists. 

Comments on my Instagram post indicate this machine is within the collections of the Utah Historical Society. 

Sources:

• Deseret News 2000-04-04
• USHS file Karrack Building
• Manual of Static Electricity in X-Ray and Therapeutic Uses by S.H. Monell M.D., 1900

The Skeleton in Grandpa's Barn

In 1923, a few schoolgirls found a box of human bones in the barn of the Lund family at 127 W. North Temple, Salt Lake City. The box of bones was an open secret known by many of the kids in the neighborhood.

Herbert Z. Lund Jr. recounts the story of these skeletal remains in a Utah Historical Quarterly article titled “The Skeleton in Grandpa’s Barn” (UHQ V35 N1 in 1967).

Herbert Jr. states that his father, Dr. Herbert Z. Lund Sr., was a physician at the Utah State Penitentiary (at what is now Sugar House Park) and acquired the body of J. J. Morris. Morris was executed in 1912 by hanging for murder; and, in accordance with common practice his body was donated for medical purposes.

Dr. Lund intended the body to become a teaching skeletal specimen. After the anatomical dissection was completed, Dr. Lund reduced the body to a skeleton. Part of the process to create a skeletal specimen is maceration so Dr. Lund and his friend William Willis (a druggist by profession) took the remains to an open area near Beck’s Hot Springs and boiled the remains in sulfur water and lime. The final process of bleaching the bones was never completed and the bones retained a rancid odor.

Dr. Lund placed the bones in a wooden box and stored them in the unused hayloft of his father’s barn, Anthon H. Lund’s house at 127 W. North Temple (now demolished).

Dr. Lund’s children (Anthon’s grandchildren) were aware of the skeletal remains and often found ways around the locked entry to view the bones. Even the grandchildren of the adjacent neighbor, LDS apostle Matthias F. Cowley, knew of the bones. So it is not surprising that other kids got into the barn to sneak a peak at the bones of a convicted murderer.

Around 1925, Dr. Lund’s mother, Sarah, demanded that the bones be buried to keep curious people away. Dr. Lund’s son, Herbert Jr, buried the remains behind the old barn. He and his grandmother Sarah had a little graveside service where Sarah read excerpts from the LDS publication “The Improvement Era” and placed the old magazines in the grave with the skeletal remains.

The gravesite was dug behind the barn. Sanborn maps show that this barn was demolished around 1950-1951. In the 1967 article, Herbert Jr. stated that the area of the grave was still open land but that development was happening all around.

Herbert Jr. drew a map of where he believed the gravesite to be. This location is now in an expanded parking lot of the old Travelodge Motel at 144 W. North Temple. It is unknown if construction has impacted the grave or if it is still intact below the asphalt parking lot.

One complication of this story is that there is a burial record for J.J. Morris in the Salt Lake City Cemetery, which contradicts the identity of the skeletal remains as being J.J. Morris. 

However, both the Lund family history and several 1920s newspaper articles (including an interview with Dr. Lund, himself) indicate that the skeleton in Grandpa’s barn is J.J. Morris.

The burial record for J.J. Morris indicates that he is buried along with 14 other prisoners whose remains were originally interred at the old Utah State Penitentiary, which is now Sugar House Park. These remains were disinterred from the Sugar House location in 1957 when the park was built. The remains were reinterred in a small prison cemetery at the Point of the Mountain Prison in Draper. In 1987, the remains were disinterred again and reinterred at the Salt Lake City Cemetery- with several remains (identified as cremains) interred in a single grave.

So if the cemetery record is to be believed (and with all those disinterment’s it is possible that records may have been compromised) then the remains buried behind the Grandpa’s barn are not those of J.J. Morris.

Utah executed several prisoners around the same time as J.J. Morris. It is possible that the identity of the skeleton in Grandpa’s barn is actually that of another prisoner whose remains were also donated to medical science around the same time. Potential candidates for this option include Harry Thorne executed Sept 26 1912 or Frank Romeo executed Feb 20 1913.

Utah Executions 1912-1913

• J.J. Morris, April 30 1912
• Jules C. E. Szirmay (Jules Zirmay), May 22 1912, Buried in Salt Lake City Cemetery
• Harry Thorne, Sept 26 1912, Body donated to medical science
• Thomas Riley, Oct 24 1912, Burred in Bluffdale City Cemetery
• Frank Romeo, Feb 20 1913, Body donated to medical science

Sources:

• “The Skeleton in Grandpa’s Barn” UHQ V35 N1,1967
• Ghosts of West Temple, Salt Lake County Archives
• "Ray Lund, Prison Doctor" by H Z (Zack) Lund (nd) from FamilySearch
• Salt Lake Tribune 1923-11-30
• Deseret News 923-11-30
• Ogden Standard Examiner 1923-11-30
• Salt Lake Telegram 1912-05-04
• Salt Lake Telegram 1912-04-30
• The Salt Lake Tribune 1980-06-19
• Various cemetery records from ancestry, names in stone, and find-a-grave

Using a black cat to heal the sick, a Utah folklore story

Using a black cat to heal the sick is a regional folklore story.

Lyman Lafayette Woods (1833-1918) was an early Mormon settler who lived in Provo, Springville, St. George, and Clover Valley (near Barclay, Nevada).

Lyman was described as a “good Latter-day Saint and active in Church work” and a “splendid nurse using mostly nature’s remedies.”

A daughter of Lyman, Roxa, was ill with pneumonia and was not improving with his normal cold-water treatment. He and an individual described as “an old Welsh lady” known as “Grandma Jones” cured Roxa using the skin of a black cat. Grandma Jones saying “the darker the cat, the surer the cure.”

The cat was killed, and its skin removed and placed on Roxa. As told, the [static] electricity in the skin of the black cat seemed to draw out all the poison from the body of the sick girl. Roxa survived.

There are several other examples of the belief in using the skin or fur of a cat to cure various ailments. The book Popular Beliefs and Superstitions from Utah records references to cure appendicitis, tuberculosis, pneumonia, and various stomachaches. And the editors of the book note that as recently as the 1960s, drugstores in Paris displayed tanned cat furs in their store windows for use in various respiratory and arthritic diseases.

After a little sleuthing, I believe the old Welsh lady to be Dinah Davies Vaughn Jones (1813-1895). She was born in Wales, arrived in Salt Lake City in 1861, and is often referred to as a healer, physician, and midwife. She and her family spent a few years in Salt Lake City and then relocated to Gunlock, Utah. However, Dinah spent a lot of time away from her Gunlock home while tending to her patients, primarily women.

Her affinity to travel may not be too surprising as she had a weird home life: Dinah had four surviving children with her first husband, William Vaughan, who died in 1852 in Missouri. Dinah married her second husband, William Ellis Jones in 1856 in Missouri. Dinah, William, and their blended family made the trip across the plains to Salt Lake City in 1861. William married Dinah’s eldest daughter (William’s stepdaughter), Martha Vaughan, as a plural wife and they had six kids together.

Needless to say, it was probably weird for Dinah to visit her husband, who was also married to her own daughter. Dinah’s grandchildren were also her stepchildren.

 
This story comes from the book Our Pioneer Heritage Vol 2 by Kate Carter, 1959, “And They Were Healed” “A Black Cat” pages 105-106 and seems to have been derived from The Dora Woods and Larkin Richard Schaffer Family manuscript pgs 105-126, which is on FamilySearch.

Other sources:

• The Woods Family of Clover Valley, Nevada 1869-1979. Published by Woods Family Genealogical Committee, Boulder City, NV 1979. Available from Washington County Historical Society
• Life of Lyman Lafayette Woods of Brigham Young’s Company, by Roxa Edwards Keele, 1956.
• The Dora Woods and Larkin Richard Schaffer Family. Ch 17 Dora’s Close Ancestors. From FamilySearch
• Popular beliefs and superstitions from Utah. 1984. University of Utah Press. Edited by Anton S. Cannon, Wayland D. Hand, Jeannine Talley
• Washington County News 1941-11-20 p1. St George Woman Dies at Home
• Various genealogical data sources on FamilySearch, Ancestry, Find-a-Grave

Harry Houdini in Salt Lake City, 1915

Famed escape artist Harry Houdini (Erik Weisz) made his Salt Lake City debut in December 1915 and performed thrilling stunts (a “trick” for October's #spookyslc).

Clip from the Salt Lake Herald 1915-12-19 Pg 32

Clip from Salt Lake Herald 1915-12-19 Pg 20

 
While researching the history of the Midwest Casket Building, I saw a reference in a 1928 book about the Salt Lake Casket Company providing a casket in which Houdini escaped during a show at the Orpheum Theater (now Capitol Theater) in 1915. However, I could not verify this information.

What I found indicates that members of the Local No 184 United Carpenters and Joiners of America Union sealed Houdini in a “sturdy wooden box” that they constructed on the stage, on Christmas Eve, 1915.

The carpenters selected were: George H Rose, John H Durbin, Henry J Schmittroth, J H Cox, Bert Harris, Fred Rose.

Houdini entered the box; the lid was nailed down and a strong rope tied around the box. A curtain was drawn around the box and the audience were quiet for the 7 minutes it took Houdini to escape.

The carpenters had made their own secret markings on the box and they declared that the box had not been switched out. According to their report “not a nail was pulled, a board sprung, or a knot in the ropes untied.” The box appeared to still be sealed. 

Houdini performed another trick the day prior. He freed himself from a straightjacket while hanging upside down from his ankles from the Walker Center Tower at 175 S Main Street, Salt Lake City.

Clip of Houdini from the SL Herald 1915-12-23 and the
Orpheum Theater & Walker building in 1920, from USHS

A note about Houdini’s Salt Lake performance, a few weeks prior Houdini had performed and filmed these same feats in Los Angeles. The film of his Los Angeles stunts were shown at the Salt Lake Orpheum Theater for several days before his live performance.

The Wild About Houdini website by John Cox has a great account of Houdini’s 1915 Los Angeles and Salt Lake performances, including a lost and recently recovered film clip of the Los Angeles performance that would have been shown in Salt Lake City.

Cox indicates that Houdini regularly engaged with local groups (Newspapers, Police, Fire Depts) for them to issue a (likely pre-arrange) challenge which Houdini would accept and perform. It was a way to build up excitement and market Houdini’s appearances.

This is likely what transpired with the Carpenters Union, who issued Houdini a challenge for Houdini to escape a box constructed by the union.

I didn’t find any connection of these men to the Salt Lake Casket Company, so they probably didn’t construct a casket and more likely built the “sturdy wood box.” But, it is an oddly specific reference to the Salt Lake Casket Co, so who knows? 

Photo of Houdini with a sturdy crate. Not Salt Lake City.
From crazyabouthoudini.com

Also, check out this Salt Lake City History Minute video about Houdini in SLC.

AND, see me on Fox13!

Sources:

• Salt Lake Herald 1915-12-16 p10
• Salt Lake Herald 1915-12-19 p5
• Salt Lake Herald 1915-2-19 p20
• Salt Lake Herald 1915-12-19 p32
• Salt Lake Herald 1915-12-21 p5
• Salt Lake Herald 1915-12-22 p9
• Salt Lake Herald 1915-12-23 p4
• Salt Lake Herald 1915-12-23 p7
• Salt Lake Herald 1915-12-25 p3
• Salt Lake Telegram 1915-12-21 p12
• Salt Lake Telegram 1915-12-22 p12
• Salt Lake Telegram 1915-12-23 p9
• Salt Lake Tribune 1915-12-16 p13
• Salt Lake Tribune 1915-12-25 p3
• Wild About Houdini by John Cox, especially SLC and LA 
• Film clip of Houdini in LA and shown in SLC
• Houdini his life story by Harold Kellock, 1928

Artist Ralphael Plescia's Christian School at 1324 S State SLC is nearing demolition

Artist Ralphael Plescia's Christian School at 1324 S State SLC is nearing demolition.

You may have seen the news report that many of his sculptures were removed recently and will be rehomed to the Utah Arts Alliance's Art Castle (the old 15th Ward LDS Church building they purchased and saved from demolition in 2021).

I toured the interior of the Christian School in 2023. Here are some of those images.

The space is divided into 3 levels, which I interpreted roughly as akin to heaven (top), the terrestrial world (main floor), and the underworld (basement, sub-basement dug-out).

My understanding is that the building will be demolished and new apartments will be constructed.

The ownership of the building is a complicated relationship. Ralphael Plescia did not own the building, rather his father owned the building, and in his father's will he arranged for Ralphael to have occupant rights until Ralphael's death. After Ralphael's death in 2022, the ownership of the building went to Shriners Children's Hospital, per his father's will.

The Salt Lake Tribune reported on Aug 4 2023 that developer Colmena Group (via a LLC named 1324 South State, LLC). purchased the property from Shriners, although Ralphael's daughter had attempted to gain ownership.

Many of Plescia's sculptures cannot be removed from the building because they are a part of the building.

Historic Utah Capitol Building Lion Now on Redwood Road

Have you ever noticed this Lion in front of Ron Case Roofing at 440 S Redwood Road SLC? It is one of the original 4 lions that were installed at the Utah State Capitol in 1917 and restored by Ralphael Plescia (founder of the famed Christian School at 1324 State St) in 1976.

Lion in front of Ron Case Roofing at 440 S Redwood Road SLC (June 2023).

Lion in front of Ron Case Roofing at 440 S Redwood Road SLC (June 2023).

Lion in front of Ron Case Roofing at 440 S Redwood Road SLC (June 2023).

 
The 4 original lions were removed from the capitol in 1999 and were deemed too deteriorated for repair (but see below). The lions were sold at a surplus auction and Lagoon purchased 3 of them for about $16K while SLC business owner Ron Case outbid Lagoon on the 4th (and largest) with his bid of about $8K.

The 4 lions were sculpted in 1917 by Gavin Jack who had convinced Richard Kletting, architect of the State Capitol Building, that lions should flank the entrances to the Utah Capitol Building. He was awarded an $800 (about $20K in 2024 money) contract to carve and cast the lions in concrete, which were placed on the east and west entrances of the building.

Original lions by Gavin Jack at State Capitol Building, ca 1920s. Image from USHS.

Original lions by Gavin Jack at State Capitol Building. Image from USHS.

Gavin Jack grew up in Manti and had both art and engineering experience. In the 1880s he traveled to NYC and studied at the Cooper Institute and the Art Students League working with Augustus Saint-Gaudens. He also studied art and lived in Dresden and Paris for several years. And he worked with concrete during the construction of the Panama Canal.

Gavin Jack. Original creator of the Utah Capitol lions. Image from familysearch.

 
Jack was rather popular in his day earning many commissions, painting portraits of prominent citizens, painting for the theater stage, painting a mural in the old Manti North Ward LDS Chapel (now demolished), and did sculpture work at the Columbia Exposition World’s Fair. His wife Sarah was a concert pianist who had also worked in France and Germany.

In 1969 the State decided to remove the lions due to wear, but also probably because famed sculptor and founder of the University of Utah Fine Arts Dept, Dr. Avard Fairbanks, criticized Gavin Jack as “an obscure sculptor and have no value as art…there is no need to save them.” He further insisted that Gavin Jack was just someone who tried to do something with art; and, he mistakenly said that Jack had no formal training. Many members of the public, and famed local artist Mabel Frazer, pushed back on this opinion and defended the lions and Gavin Jack. Ultimately, the state quietly dropped the whole proposal and there wasn’t any money appropriated for any of it.

Plescia restored the lions in 1976. The Utah Legislature had appropriated $50K to restore the lions but Plescia convinced officials to hire him to do the job at a cost not to exceed $3K. Plescia’s restoration used a latex and cement mixture to restore missing parts a fill in the cracks. After studying other lion sculptures and visiting the lions at the zoo, Plescia decided to depart from the original lion design to achieve a more natural-looking animal. At the time that Plescia took on the lion project, he was 5 years into his Christian School project, which he called “the Museum” and was intended to be a restaurant with liquor and entertainment.

Raphael Plescia with a restored lion in 1976.  Image from SpacesArchive.

 

Raphael Plescia with a restored lion in 1985. From The Salt Lake Tribune Oct 4 1985.

The issue with the deterioration of the lions was renewed in 1999 when restoration work began on the Utah State Capitol Building and the lions were removed because of work being done on the steps. In 2007, 4 new lions were commissioned from British master carver Nick Fairplay who sculpted them out of Italian marble; they were installed at the State Capitol in 2008.

When the old lions went up for public auction in 2009, Capitol Preservation Board executive director David Hart was quoted in a KSL article as saying that at auction the lions might get “maybe a buck” and “they are of no value to us.”

But of course, between the Lagoon and Ron Case purchases, the sale of the 4 lions equated to about $24K, which is about $500K in 1917 dollars… so the state made a 99% net profit when accounting for inflation.

SLC business owner Ron Case outbid Lagoon on the 4th (and largest) lion. In a 2016 interview on Fox13’s Uniquely Utah series, Ron Case said he didn’t want the lion to leave SLC and that Salt Lake’s Westside was worthy of a “lion size portion of pride.”

The Lagoon Lions have been restored and are proudly on display in front of Cannibal. Ron Case gave an interview to Fox13 in 2016 in which he stated he does not intend to restore the lion as it is art and history just as it is. 

You can see the Ron Case lion on the west side of 440 S Redwood Road SLC. 

You can see the Lagoon lions near the Cannibal roller coaster.

Restored lions at Lagoon. Image from familysearch.

Restored lions at Lagoon. Image from familysearch.

Sources:

• Lagoon buys 3 Utah State Capitol lion statues, KSL.com, Oct 9 2009
• Uniquely Utah: The fate of the Capitol’s final lion, Fox 13, July 24 2016
• Hobbyist is a fix-it man, Deseret News July 10 1976
• State Will Dispose of Old Pair of Lions, Deseret News April 22 1969
• State Capitol Sculptor Painted in Orangeville, Emery County Progress Feb 6 1975
• The return of Gavin Jack: Paintings will grace library, The Manti Messenger Sept 4 1986
• Capitol Guardians to Retire, 52 Years Erode Their Value, Salt Lake Tribune April 22 1916