Showing posts with label Main St. Show all posts
Showing posts with label Main St. Show all posts

28 March 2025

Judge Building, Salt Lake City

1909 Postcard of the Judge Building, Salt Lake City.
.
The Judge Building, 8 E 300 S SLC, built in 1907 by Mary Judge and designed by the Judge family architect David C. Dart who also designed the Judge Miner's Home, now part of Judge Memorial High School.

Mary and her husband John made their wealth primarily from the Daly-Judge Mine in the Park City Mining District. John died in 1892 and Mary took over business operations and invested in real estate.

She also contributed the establishment of the Cathedral of the Madeleine, YMCA, and All Hallows College.

Judge Building in 1908. Image from USHS.

Judge Building 1939. Image from USHS

Judge Building 2023



23 March 2025

Dr. Nell C. Brown, Hair Physician

In 1902, 30-year-old Nell Young Clauson Brown reinvented herself as “Dr. Nell C. Brown: Hair Physician.”

Advertisement from the Salt Lake Theatre program, 1903. From USHS.

Her husband, Leigh, died a couple years previous, leaving her a widow with 2 children. Leigh had been in ill health for years, and for a time, the family lived in San Francisco and then Idaho Falls before returning to SLC where Leigh died.

Nell was not a destitute or desperate widow. She was a granddaughter of Brigham Young and a daughter of well-connected Hiram B. Clawson (through his 4th wife, Emily Augusta Young). She had affluent family she could entrust the care of her children while she completed coursework in San Francisco.

Perhaps it was while the family lived in San Francisco that Nell met Dr. Edith E. McClean, or perhaps Nell responded to one of the many advertisements recruiting women to take a 3-month course in “alopecia and dermatology using the Dr. W.S. Gottheil method.”

Edith was a character herself. Also reinventing herself after a divorce, she built up a hair restoration business in San Francisco and rebranded herself as Dr. E. E. McClean offering specialized hair and scalp services and a bottled Medicated Hair Tonic of her own concoction.

Dr. Edith E. Corey McClean, of San Francisco.

Nell studied under Dr. Edith and returned to Salt Lake in May 1902 and began her own business to “scientifically treat the hair and scalp” with special attention given to baldness, promising the majority of such cases were curable under the proper treatment.

She also offered manicuring and shampooing. Like Dr. Edith, Nell rebranded herself as Dr. Nell C. Brown. Her offices were in the ornate Templeton Building at 1 S Main St (now Zions Bank Building).

Various clippings advertising Dr. Nell C. Brown

The Templeton Building where Dr. Nell C. Brown had her offices.

In Jan 1904, Nell married John Aski Silver, of the famous Silver Brothers Iron and Foundry Works, and her hair career ended.

However, two of her associates began their own business: Miss Charlotte Lynberg and Miss Carrie Leaker relocated to the Constitution Building.

Nell was widowed again in 1916 and married Morris D. Rosenbaum in 1918. When Nell died in 1937 she had amassed an enormous extended and blended family.

27 December 2024

An Antique Electro-Static Machine

An example of an Electro Static Machine. Insert in lower right corner is the Karrick Building.

An antique electro-static machine was found on the 2nd floor of the Karrick Block at 236 S Main SLC during its renovation in 2000.

The device was made by the Frank S. Betz Co., a well-known supplier of a variety of medical supplies and equipment.  These electro-static devices were in use from about the 1880s through the 1930s.

The Electro Static Machine found in the Karrick Building

When this particular machine was found by MHTN Architects, they contacted The Museum of Questionable Medical Devices (www.museumofquackery.com) in Minneapolis and David G. Rickert identified the machine as a Holtz, of which there were many varieties and were popular between 1890-1910.

Within the wood cabinet were large circular copper plates that would revolve and create static electricity.  According to historic advertisements and instructions, this electricity could be used to cure a multitude of ailments.

An example of an advertisement for a Holtz type machine.

Excerpt from medial book indicating how to use the machine

Prior to 1905, when Lewis Karrick died, the main occupant of the Karrick building was Roberts and Nelden Drugs, a large wholesale and retail pharmacy.  

Lewis Karrick operated a gambling and billiards hall on the second floor and a brothel with 8 rooms on the third.  A description from the late 1970s notes that the names of several women still remained on the doors (I did not find any further information about these names).

In 1908 the building was acquired by Mary Judge (of the Judge Building) and the ground floor leased to longtime occupant Leyson-Pearsall Jewelers.

It is unclear who owned this abandoned electro-static machine. The upper floors of the Karrick Block were leased to many people, including some doctors and dentists. 

Comments on my Instagram post indicate this machine is within the collections of the Utah Historical Society. 

Sources:

  • Deseret News 2000-04-04
  • USHS file Karrack Building
  • Manual of Static Electricity in X-Ray and Therapeutic Uses by S.H. Monell M.D., 1900

Then and Now of the Karrick Block


A then (1890) and now (1986) view of the Karrick Block on Main St, Salt Lake City.

The adjacent Lollin Building has not been constructed in the 1890 photo, but the Karrick Block is easily located by the distinctive pinnacles (which are missing in the 1986 photo).

The tall building in the background of the 1986 photo is the Continental Bank Building, now Hotel Monaco.

Today, the Gallivan Plaza TRAX station and rails run down this section of Main Street. And the buildings north (right) of the Karrick Block are occupied by the 222 Tower.

Image from Utah Historical Society, Charles Raymond Varley collection.


Preservation Story of the Karrick Block

The distinctive Karrick Block and adjacent Lollin Building (236-238 S Main) were preserved in 2002 as part of an agreement with Salt Lake City and the owners, Hamilton Partners, as part of the process to build the 222 Main Tower (222 S. Main).

In 2001, Hamilton Partners (HP) demolished the historic buildings that were located between the Continental Bank (now Hotel Monaco) and the Karrick Block. These buildings housed Wendy’s Restaurant, Walk-Over Shoes, Lord’s Big and Tall, Dahle’s, English Tailors, the Catholic Center, and others).  

The original intent was to construct the 222 Tower in their place, but office space was in low demand at the time due to the newly constructed American Stores Tower, now knows as the Wells Fargo Building, HP erected temporary one-story buildings made of wood that were used during the 2002 Olympics by organizations and vendors (SLC pushed for some kind of use of the empty area, HP originally wanted a surface parking lot). In 2004, these temporary buildings were then demolished and the 222 Tower built in their place.

The Karrick and Lollin buildings were preserved because they are local historic landmark sites, which provides them with some level of protection by Salt Lake City regarding their modification/demolition, which is overseen by the SLC Historic Landmark Commission.

The Karrick Block was built in 1887 for Lewis Karrick and was designed by famed architect Richard K.A. Kletting, who also designed the adjacent Lollin Building in 1894. The Karrick building is Kletting’s earliest example of work that is still standing.

The Karrick Block had been occupied by Leyson-Pearsall Jewelry since 1905. Originally, the upper floors were used as a gambling hall, offices, and had 8 rooms for sex workers but were later used as storage for Leyson-Pearsall. In 1976, the names of some of those sex workers remained on the doors of the Karrick Block (I could not find reference to what names). The upper floors were condemned in 1976.

In 1980, the interior of the Karick Block still had some of the original décor including ornate crystal chandeliers hanging from the hand painted gold leaf ceilings, wrought iron balcony railings, and some areas with original ceramic tilted floors.

The main occupants of the Lolling Building were the Hudson Bay Fur Company until 1962 and then the G.E.M Music Store. The second floor were business offices, primarily dentists. And the third floor was the residence of the Lollin family until 1960.

In 2000, HP hired MHTN Architects to renovate the Lollin and Karrick Buildings. The buildings underwent a full exterior restoration, including masonry, stone, bricks, lintels, decorative aspects of the façade, structural upgrades, new elevator structure, and steel interior structural bracing. The additions on the back were also demolished. Total cost of the renovation of the two buildings was $5.3M, of which $2.276M was eligible for reimbursement by the SLC Redevelopment Agency (RDA) Building Renovation Loan Program.

The interior of the Lollin and Karick Block were nearly completely gutted and adapted for modern residential living, which prompted disagreement about how the interior rehab of the buildings were done. Some features were saved, including a tin ceiling in the Karrick Block. 

In 2000, the Utah State Historic Preservation Office (SHPO) wrote that the upper levels of the Lollin were “remarkably intact” prior to the renovation. After the renovation the interior spatial configuration was significantly altered and many of the original wood features were removed, including an oak staircase, wainscot, and trim. Some of these features were replaced with similar looking materials.  Additionally, new windows were introduced on the north side of the Karrick Block.

Currently, the bottom floor of the Lollin and Karrick Block are occupied by commercial/retail operations and the upper stories are residential. It is still under the ownership of HP.

06 November 2024

Urban Calm by Peter Wiarda

Framed print of a photograph from Peter Wiarda’s new book “Urban Calm.”

This is my favorite photograph from Peter Wiarda’s new book “Urban Calm.” This is photo is the view from Walker Center Parking at 160 S. Regent St. (2020). It looks south on Main Street, towards 300 South.

In this image I see an abstract view of modern archaeology of Salt Lake City’s built environment (and the real archaeology that is also subsurface).

The oldest building in this image is the Karrick Block, built in 1887. Surprisingly, the oldest building is also the most colorful (red) building in the photograph, which reminds me that the historic black and white photographs that preserve the past do not portray a fully perfect image of the past.

The Karrick Block has an interesting preservation story, which I will need to post about separately.

Also in this photograph are:
  • The Lollin Block, 1894
  • Clift Building, 1919
  • American Towers, 1982
  • One Utah Center, 1991
  • 222 S Main building, 2009
  • Federal Courthouse (Orrin G. Hatch/the Borg Cube), 2014

Peter Wiarda's print with my identification of buildings

Notably, there is 5-decade gap of buildings in this image. Part of that is simply that buildings of this age are not in view. But the other part is that downtown SLC had a lull in construction during the Great Depression, WWII, and the post-WWII suburban build-up. There are notable exceptions (e.g. mid-century modern Ken Garff Building 1955, LDS Church Office Building 1973), but in general this image portrays an accurate pattern of downtown SLC’s history.

The American Towers building is also an interesting component, Built in 1982, it represents an effort to draw individuals back to living in downtown. But interestingly, American Towers was initially an adult only living arrangement- so not an effort to bring families with children to downtown.

So, beyond the visual beauty of the photograph I also see a full historical spectrum of SLC.

Peter Wiarda has many other fantastic photos of SLC in his Urban Calm book.

And SLUG magazine has a nice article about Peter’s project. 

Be sure to check out his website where you can order your own copy of the book. www.peterwiarda.com

02 October 2024

Harry Houdini in Salt Lake City, 1915

Famed escape artist Harry Houdini (Erik Weisz) made his Salt Lake City debut in December 1915 and performed thrilling stunts (a “trick” for October's #spookyslc).

Clip from the Salt Lake Herald 1915-12-19 Pg 32

Clip from Salt Lake Herald 1915-12-19 Pg 20
 
While researching the history of the Midwest Casket Building, I saw a reference in a 1928 book about the Salt Lake Casket Company providing a casket in which Houdini escaped during a show at the Orpheum Theater (now Capitol Theater) in 1915. However, I could not verify this information.

What I found indicates that members of the Local No 184 United Carpenters and Joiners of America Union sealed Houdini in a “sturdy wooden box” that they constructed on the stage, on Christmas Eve, 1915.

The carpenters selected were: George H Rose, John H Durbin, Henry J Schmittroth, J H Cox, Bert Harris, Fred Rose.

Houdini entered the box; the lid was nailed down and a strong rope tied around the box. A curtain was drawn around the box and the audience were quiet for the 7 minutes it took Houdini to escape.

The carpenters had made their own secret markings on the box and they declared that the box had not been switched out. According to their report “not a nail was pulled, a board sprung, or a knot in the ropes untied.” The box appeared to still be sealed. 

Houdini performed another trick the day prior. He freed himself from a straightjacket while hanging upside down from his ankles from the Walker Center Tower at 175 S Main Street, Salt Lake City.

Clip of Houdini from the SL Herald 1915-12-23 and the
Orpheum Theater & Walker building in 1920, from USHS


A note about Houdini’s Salt Lake performance, a few weeks prior Houdini had performed and filmed these same feats in Los Angeles. The film of his Los Angeles stunts were shown at the Salt Lake Orpheum Theater for several days before his live performance.

The Wild About Houdini website by John Cox has a great account of Houdini’s 1915 Los Angeles and Salt Lake performances, including a lost and recently recovered film clip of the Los Angeles performance that would have been shown in Salt Lake City.

Cox indicates that Houdini regularly engaged with local groups (Newspapers, Police, Fire Depts) for them to issue a (likely pre-arrange) challenge which Houdini would accept and perform. It was a way to build up excitement and market Houdini’s appearances.

This is likely what transpired with the Carpenters Union, who issued Houdini a challenge for Houdini to escape a box constructed by the union.

I didn’t find any connection of these men to the Salt Lake Casket Company, so they probably didn’t construct a casket and more likely built the “sturdy wood box.” But, it is an oddly specific reference to the Salt Lake Casket Co, so who knows? 

Photo of Houdini with a sturdy crate. Not Salt Lake City.
From crazyabouthoudini.com



Also, check out this Salt Lake City History Minute video about Houdini in SLC.

AND, see me on Fox13!


Sources:
  • Salt Lake Herald 1915-12-16 p10
  • Salt Lake Herald 1915-12-19 p5
  • Salt Lake Herald 1915-2-19 p20
  • Salt Lake Herald 1915-12-19 p32
  • Salt Lake Herald 1915-12-21 p5
  • Salt Lake Herald 1915-12-22 p9
  • Salt Lake Herald 1915-12-23 p4
  • Salt Lake Herald 1915-12-23 p7
  • Salt Lake Herald 1915-12-25 p3
  • Salt Lake Telegram 1915-12-21 p12
  • Salt Lake Telegram 1915-12-22 p12
  • Salt Lake Telegram 1915-12-23 p9
  • Salt Lake Tribune 1915-12-16 p13
  • Salt Lake Tribune 1915-12-25 p3
  • Wild About Houdini by John Cox, especially SLC and LA 
  • Houdini his life story by Harold Kellock, 1928

13 January 2024

Mammy’s Chicken Inn, Salt Lake City

Mammy's Chicken Inn menu cover, Salt Lake City
Image adapted from worthpoint

Mammy’s Chicken Inn was located at 890 W 2100 South (now Flying J Travel Center parking lot). This is a new one for me.

The restaurant was owned by George Gerard-Theodoracopulos) (1891-1965) who was born in Crete, Greece, and came to SLC in 1910, and his wife Mary L. H. Gerard, originally from Grand Junction, Colorado, and came to SLC in 1917.

The Gerards (as they were commonly known) were associated with several restaurants throughout the years including Mammy’s Chicken Inn, Silver Slipper, Charlott Club, Streamliner, and Dahlia Inn. And many of these got into some trouble with the law regarding bootlegging, bribery, and gambling devices.

The Silver Slipper Inn operated about 1930-1941 and is notable for its location at 3100 Highland Drive, just down the street from another restaurant owned by a different family but also using racist icons, the Coon Chicken Inn at 2960 Highland Drive, which operated 1925-1957.

The Coon Chicken Inn featured an overembellished character of a bald Black man with a porter’s cap. I have posted about this in the past and there is a Wikipedia page on this one.

The Gerards opened Mammy’s Chicken Inn in 1947 at the corner of 900 West and 2100 South SLC. It used the Mammy caricature throughout its branding, including on menus and souvenirs. I could not find a photo of the restaurant but the illustration on the menu shows a large Mammy sign on top of the building’s entrance.
Mammy's Chicken Inn menu. Image adapted from worthpoint
 
Mammy's Chicken Inn menu. Image adapted from worthpoint

Mammy's Chicken Inn menu. Image adapted from worthpoint

Mammy's Chicken Inn advertisements, from the Salt Lake Tribune

The last reference I could find to Mammy’s Chicken Inn being operational was their New Year’s Eve advertisement in December 1960. By this time, the Coon Chicken Inn had already closed.

In SLC (and presumably elsewhere) the term “Mammy Chicken” was used to describe the style of fried chicken as well as to infer authenticity.

I found other references to the use of the term Mammy Chicken for Utah restaurants. A selection of those: 
  • 1919: A “real colored mammy” Mammy Margette at Roselawn 4374 Highland Drive
  • 1930: Delicious Mammy Fried Chicken, Cabaret Dancing after 9 pm, at Blue Moon Car Service, 3618 Highland Drive
  • 1931: Mammy’s Friend Chicken at Glaus’ Coffee Shop, cooked by a different process, 169 S Main SLC
  • 1937: Home Cooked Food, Mammy Fried Chicken at Sugar House Café 1058 E 2100 S
  • 1941: Mammy Fried Chicken and J. Dean’s Rhythm Boys at Dixieland Tavern, Ogden Highway
  • 1948: Mammy Fried Chicken, Home Cooked Meals, Ethel’s Café in Roy, Utah

For additional historical context:
  • 1889: Aunt Jemima as a Mammy caricature
  • 1909: NAACP founded in NYC
  • 1919: Salt Lake Branch of the NAACP founded
  • 1925: Lynching of Robert Marshall in Price, Utah
  • 1954: Brown v. Board of Education
  • 1955: Emmitt Till murder, Rosa Parks bus arrest
  • 1960: MLK and others were arrested for a sit-in protest
  • 1963: MLK’s I Have a Dream Speech and the March on Washington
  • 1978: LDS Church Official Declaration 2 removed the racial restriction of priesthood

04 April 2023

Big Toilet Paper Sale

Another fun advertisement; this one is about a big Toilet Paper sale at the Salt Lake City Schramm-Johnson Drug Store.


SJ had several locations in SLC but its flagship was at 215 S Main Street.

Take a look inside! The historic photos are from the Utah State Historical Society archive.





I tried to find some photos of these specific brands of TP listed in the ad but no such luck there.

Some highlights of the small text in the ad:
  • Lyndhurst: Guaranteed free from injurious chemicals, perfectly soluble in water and will not clog drain pipes.
  • Champa: Highest favor with hotels, rooming houses, hospitals and large institutions. BIG VALUE!
  • Scott Tissue: Very absorbent and soft as old linen.
  • Fort Orange: Another heaping big value offer.
  • Pure White: Guaranteed absolutely sanitary.
  • A.P.W.: Universally acknowledged as strictly superior satin tissue quality not duplicated at any price. From every viewpoint of economy, it is MOST DESIREABLE.
  • Imperial: One of our most popular selling varieties.
  • Bob White: In its price class there is none better.
  • Ess-Jay's Crepe: One of the most satisfactory Toilet Papers on the market. Exceptional quality, fine and soft.

05 December 2022

Salt Lake City in 1962

As usual, while looking for information on something specific I find something else interesting!

Check out these photos from 1962 of SLC. They are a part of the Edmund L. Mitchell collection at the Boston Public Library (link below).

A few of these images are relevant to changes recently announced, and others are just neat to look at.

Beehive House 1962. The LDS Church has recently announced that it plans to renovate the Beehive House, Lion House, and Joseph Smith Memorial Building (old Hotel Utah) in 2023. Per the Church News website, plans are to address structural deficiencies and preservation of aging finishes. As these buildings are local historic landmarks, the SLC Historic Landmark Commission will provide oversite.

Boy Scouts logo in flowers and grass 1962. The LDS Church announced plans to demolish the Boy Scouts building at 525 Foothill Dr. No specific plans for what will replace the building.

South Main Street 1962. I like this image because it shows a walkable downtown and a good view of a historic (now removed) Sanitary Drinking Fountain that was installed in the 1910s (White pillar-looking thing) and a Fire Call Box (Red pillar thing) behind the guy in the forefront.

Detail on fountain and fire call box.

View from State Capitol 1962. This image shows the rebuilding of the historic Salt Lake City Council Hall (now Utah Tourism Office), which was relocated when the Wallace F. Bennett building was constructed. Also, check out that wasted water!

View from State Capitol 1962. Cool looking bus and a nice array of cars.

Direct Link to SLC portion of the Edmund L Mitchell Collection at Boston Public Library: https://www.digitalcommonwealth.org/search?f%5Bname_facet_ssim%5D%5B%5D=Mitchell%2C+Edmund+L.%2C+1905-1981&f%5Bsubject_geographic_sim%5D%5B%5D=Salt+Lake+City

24 October 2022

The McCune Mansion has a Twin in New York City

The architectural styling of Salt Lake City's McCune Mansion was based on the John H. Matthews home in New York City (but reversed).

Salt Lake City's McCune Mansion, 2022

Salt Lake City's McCune Mansion, 2022

The John H. Matthews home was built in 1891 at the corner of Riverside Drive and 90th Street in Manhattan, a grand boulevard between NYC’s Central Park and the Hudson River. At the time, Riverside Drive in NYC was similar to South Temple in SLC, home to many fine mansions of the ultra-rich.

Matthews Mansion in NYC 1920s. From the Museum of the City of New York

The Matthews house received a lot of attention, it was featured in the Oct 1898 edition of Munsey’s Magazine and was part of the “Greater New York Illustrated” (1897+) photograph book. The architects of the Matthews house, Lamb & Rich, also designed abundant buildings throughout the East Coast.

In April 1900, the McCune’s architect, Samuel C. Dallas, was sent to NYC and other large East Coast cities to find some architectural ideas for Alfred and Elizabeth McCune’s new home. After a month Alfred joined him in NYC and together they inspected the finest residences. Shortly after their return, the plans for the McCune mansion were decided upon with Elizabeth, who chose the architectural styling of the Matthews house. Construction began soon after and Elizabeth set about choosing the interior finishes and furnishings.

The 3-story McCune Mansion has 21 rooms and 5 marble fireplaces. Elizabeth chose woods such as bird’s eye maple, South American blond mahogany, and English Oak. Marbles were from Italy, Africa, and Scotland. Rugs were handmade in Persia and roofing tiles were from Holland.

Each room has a different theme. For example, the banquet room adjoining the ballroom is English Renaissance and is based on Haddon Hall in England. It has mahogany woodwork, hand-embroidered wool tapestries were hung on the wall, and the walls adorned with painted hunting scenes and woodlands reminiscent of Robin Hood.

Here are some additional images of the Matthews House from the Museum of the City of New York:  in 1895, 1903, and 1921.

Tours of the McCune Mansion are available through Preservation Utah.

References
Deseret News March 6 1900
Salt Lake Herald March 6 1900
Munsey’s Magazine Oct 20 1898
UDSH McCune Mansion file
The Lost John H Matthews House
Greater New York City Illustrated 1905

21 October 2022

The McCune Mansion's Haunted History

The iconic McCune Mansion at 200 N Main St in SLC has a haunted history associated with it.

McCune Mansion on an October evening 2022

McCune Mansion on an October evening 2022

This large home was built in 1901 for railroad/timber/mining mogul Alfred and Elizabeth McCune, after they sent their architect, S.C. Dallas, on a two-year tour of the US and Europe for him to study architectural styles and techniques.

The mansion is outfitted with exotic materials from around the world and has two ballrooms. The roof is made of thick handmade tiles from Holland, originally costing $7K ($247K today), for example. It was the first million-dollar home in Utah.

In 1920 the McCunes gave the home to the LDS church and became the McCune School of Music and Art. Throughout its years it has been a family home, residential rental, music school, dance studio, reception center, art gallery, and office space. In 1999 it was purchased and restored and now serves as an event space and often hosts weddings.

The McCune mansion is often referred to as haunted and there is a myriad of ghost stories associated with it. Most often, the stories include cold spots, oddities with the lights, moving objects, and music coming from a hidden alcove near the central staircase.

McCune 3rd floor ballroom, from mccunemansion.com
McCune 3rd floor ballroom, 2016, from Trip Advisor Barb J
McCune 3rd floor ballroom, 2016, from Trip Advisor Barb J
McCune 3rd floor ballroom, 1985, from HABS file.

The ghost of a girl who dances in the 3rd-floor ballroom has been reported, often enjoying the festivities of various gatherings. The ghost of Elizabeth McCune is said to inhabit the kitchen and often moves bowls, pots/pans, and other kitchen implements. Most stories are of friendly spirits.

Mirrors and paintings seem to be associated with the little girl. An electrician working on the house reported that he saw the girl wearing white emerge from the enormous mirror in the 1st-floor drawing room; she looked around, decided everything was ok, and then went back into the mirror. The electrician never returned to the home.

Music alcove, 1985, from HABS file
Servants’ staircase, 1985, from HABS file

In my research, stories of the McCune Mansion being haunted seem to originate in the 1990s, especially after Philip McCarthy started preservation efforts in 1999.

Sources: 
Haunted Salt Lake City (2018) by Laurie Allen, Cassie Ashton, Kristen Clay, Nannette Watts
Specters in Doorways Revisited (2009) by Linda Dunning
UDSH file
HABS file
ksl.com Dec. 17, 2010
Salt Lake Tribune Nov 15 2001